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This month, an hour's drive from New York, a small town north of an old factory will become the greatest generation of American artists presented the first museum. Museum called It shows not Pollock, Rothko and de Kooning the artist grew up in the fifties. From that generation during the 1960s and 1970s, including Donald • Judd, Dan • Folai Wen, Walter • Germany • Maria, Michael • Heinz, Robert • Smithson, Leavitt, • Andy Warhol, Robert • Lehman, Neath • Agnes Martin, Bruce Nauman and Richard • • Sierra. Post-war American art history has been rewritten because they moncler dames, from their beginning, the beginning of American Art is no longer true replica of Europe, which has its own characteristics of American art, this feature is different from the American art of the past, but also from other state of the art.
Most of them are men Goedkope MBT, and is the first American influence in Europe. That is to say, art history since the founding of the United States has long been considered not out of the shadow of European art, from Andy Warhol • This generation, the United States not only has the art of self-contained artistic outlook, but also formed a history of art criticism, art gallery shows, art business and art funds constitute a complete system of modern art, so that the art center after World War II transferred from Paris to New York. Not only that, it is six or seven years to create pop art, conceptual art, earth art, minimalism and Video art, in fact, in the art concepts and aesthetics in turn impact on European art.
Miracles of American Art, and the resulting establishment of world art center, on the one hand with the United States in the postwar empire established comprehensive national strength has a direct relationship. This is reflected in America's economic strength makes a large number of large U.S. emerging bourgeoisie began only ten years less than the time of collection of contemporary art, a variety of state and private art galleries, foundations and galleries in large numbers, which objectively for the rise of American Art provided the economic basis; the other hand, the United States after the war supranational empire structure, and developed sophisticated systems of commercial and urban culture, the formation of the American world view and self-emotional world hard with other countries and regions with a new character, in large part, for the United States new art provides a new emotional resources and ideological background. In addition, the United States established in the post-war system of global media and cultural elite university research system is also an objective summary of the theory of art for the United States and provided the impetus for global communications.
That the United States alone developed the comprehensive economic strength and advantages of the Empire will be able to make New York replaced Paris as the world's art center, a bit too simplistic. In fact, the Japanese take-off stage in the 1980s when the economy has removed huge amounts of money to buy a large number of Western art, but did not become the art center, and even failed to become the Asian Arts Center. The rise of American Art, in essence, no doubt due to the emergence of a like Andy Warhol •, Leavitt, Smithsonian, Nauman these great artists, their art does change, or at least have long suspected the European art constructed nature of art, in the concept of art itself, art and commerce, art and popular culture, art and art galleries, art and philosophy, art and electronic images, abstract visual art and a wide range of aspects for a major breakthrough, and Conversely modern art in Europe after World War II, in addition, like Beuys, like the United States did not get the essence of modern art's avant-garde breakthrough.
Origins of modern art in Paris and Europe, and the modernist period before World War II, from the Italian Futurism, Soviet Constructivism to the Paris of Dadaism and Surrealism, the United States basically Only learning's sake. But after World War II, Europe's turn to the U.S. Big Brother brother learned.
American modern art in the East Village during the thirties, they begin to have the artist Marcel Duchamp, who went to Europe to find contacts, the United States the first American avant-garde art in Paris Dada Dada is actually a replica. Fifty years after World War II, the United States Rockefeller family as upper class and the arts community, as critics such as Greenberg began brewing with the United States to promote the artistic style of contemporary art, culture and the Cold War as an opportunity to the New York Museum of Modern Art, represented by U.S. right-wing bourgeoisie and the CIA jointly promoting Pollock, de Kooning's abstract expressionism for the Arts on behalf of the United States after the war advertised as a purely non-ideological cultural image of art to counter the ideology of socialist art. Although still abstract art, modern European tradition, but Greenberg stressed that its free-spirited modern American Abstract Expressionism American art has actually inflated sense of self and non-European initiative to emphasize the embryonic period, but in fact is not out of the fundamental nature of modern European painting.
Real non-European from sixties and the seventies began. • Andy Warhol first began on the American business culture and the popular vision of self-identity, he's a lot of words, art and lifestyle are emphasizing the commercialization of art timberland amsterdam, pop culture, cool, artist and star of materialism There's nothing wrong identity. This kind of business,
But in fact, the United States is not exactly like other artists as Andy Warhol • erosion and stress along with the commercial capital of the arts. Fine art of the seventies trend is actually more anti-business and anti-establishment, like the land of the artist at the Smithsonian in Utah Salt Lake on the state's 1,500-foot-long spiral Andi; Hinds in the creation of a Nevada 1500 feet long and 50 feet deep and 30 feet wide, a huge gap, a total of 240,000 tons of rock blasting; Germany • Maria in the wild use of natural lightning rod set thousands of These artists, in the absence of long-term human habitation in the wilderness for not collections of art, earth art museum wall, breaking through the concept of art.
Leavitt also broke the concept of artistic philosophy of American Art is not prejudice, almost conceptual art modern art from Europe since an ultimate self-subversion, but also laid the conceptual art was popular in the world thought ideological foundation. I thought tight Leavitt, his first idea that art is conceptual art the idea from Duchamp has been the most rigorous theoretical understanding. At the same time, like Naumann for Video art pioneer experiments, Judd's minimalist sculpture Goedkope Moncler, are pioneers in their respective fields of art experiment. These both involve the essence of art or a common problem, and the United States in these areas of international vanguard.
Is worth noting that the comprehensive national strength and the United States after the war, although the heyday of the economic base, but in fact from the fifties to the seventies these thirty years, to explore the artists are in the vanguard of economic and difficult time. Most Americans g-star jas, middle and upper classes do not actually agree with and understand the impact was for the United States and the Empire to win the world the image of the avant-garde art. Pollock fifties almost destitute; • Andy Warhol's work beginning no one is interested in the sixties, a decade before starting a large number of sales; and like Hinds, who lived almost in the wilderness wandering artists of life.
But the U.S. still has a number of attempts to revive the art of American art patron investors and their wealth and funding for collection of young American avant-garde art, as 佛雷德尼克 and his wife, Philip • Germany • Khomeini is one of the representatives. As an industrial equipment manufacturer, in his life due to visit Venice and Marty de France, Greece and Italy home and travel to the change.
Foley Derek (Friedrich) 1963 opened a gallery in Munich, and later opened a second one in Cologne, described as Beuys (Beuys), Sigma • Bohr g (Sigmar Polke), Gerhard • Richter (Gerhard Richter), Judd (Judd), Heinz (Heizer), West • Tuobo Li (Cy Twombly), Germany • Maria and Warhol Seoul (Warhol) and other artists. But Foley Derek on short-term exhibitions and sales endless tired. At the same time, he noted artists like Judd, Germany • Maria, and Heinz are inclined to a Smithsonian museum and art galleries can not easy to accommodate. 1971, Foley moved to Niuyuesuhe Derek, for some time, he became the first 14Wooster Street Gallery Art Salon, artists like De Maria and white forest • • Palmer works hang in there creation, Yang and Zela for stage performances , Judd sculpture show. Gallery also undertake large-scale art. Philip Derek encountered near Foley • Germany • Khomeini, and fell in love. De Meini is a consortium of oil heiress, she is also a low-key discerning collectors.
Since the 1970s, not only acquired a couple 佛雷德尼克 transformed as a Texas resident 340 acres of former Army barracks to become art gallery, including some of the old factory converted into art galleries for the display Like Judd's minimalist creation of a huge sculpture of this new U.S. art. And they also spend millions of dollars in funding as Germany • Maria outdoor land art.
Foley Derek explains: Dia is a Greek word meaning He hoped that the United States new art by This also shows that the rise of the United States and the United States new art with cutting-edge vision and broad mind of the patron of the arts of national groups, there are inextricably linked.
